Savages, the post-punk band that emerged from London in 2011, has often been described as a force of nature. Their sound is characterised by a raw intensity that seems to defy the norms of conventional music. With lead singer Jehnny Beth’s piercing vocals and a soundscape created by guitarist Gemma Thompson, bassist Ayse Hassan, and drummer Fiona Campbell, their music demands attention. One could say they are the kind of band that makes you feel like you should be wearing a beret and sipping espresso while contemplating the meaning of life.
The band’s debut album, “Silence Yourself,” was released in 2013 and was met with critical acclaim. It was said to be so powerful that it could probably wake the dead—though one imagines the undead might not appreciate the effort. The album’s themes revolve around existential dread and societal issues, which would make for a fascinating dinner conversation, albeit one where everyone leaves feeling slightly unsettled. Fans have noted that listening to Savages is akin to being caught in a rainstorm without an umbrella: it’s exhilarating, but you might end up drenched.
In 2016, Savages released their second album, “Adore Life,” which continued to build on their reputation for intense and thought-provoking music. One amusing anecdote involves a show in Los Angeles where a fan was so moved by their performance that he attempted to join them on stage—only to realise that he had forgotten how to play any instrument. His enthusiasm was commendable, but perhaps his musical aspirations should remain firmly in the shower.
During interviews, the band members often display a dry wit that contrasts with their fierce musical persona. For instance, when asked about their influences, one band member quipped, “We draw inspiration from many things—like existential dread, the news, and our collective inability to keep houseplants alive.” This admission not only showcases their humour but also provides a glimpse into their creative process: a chaotic blend of angst and domestic misadventures.
Savages have built a reputation for their electrifying live performances. There’s a certain irony in the fact that many fans leave their shows feeling invigorated yet utterly exhausted, as if they’ve just run a marathon while contemplating life’s greatest mysteries. One can only imagine the post-show conversations among audience members: “Did you feel that surge of energy?” “Yes, but I also need a nap.”
As they continue to create music that challenges listeners, one can only hope for more anecdotes and perhaps even a reality show featuring their daily lives—although one suspects it would be less about glamour and more about existential musings over lukewarm coffee. In any case, Savages remain a testament to the idea that music can be both profound and amusingly absurd.
